7

Little Feat

Little Feat
Date: 12/12/1995 (December 12, 1995) Location: Roseland Theatre - Portland,OR
Setlist: Set 1: That`s Her-She`s Mine, Rad Gumbo, Drivin` Blind, Spanish Moon, Skin It Back, Rock and Roll Doctor, Pretty Good Love, Down On The Farm (Duet), Satisfied/Hot Tamales*, Cajun Girl, Hate To Lose Your Lovin`*, Hate To Lose Your Lovin`**, Taken Another Man`s Place, Key & Trumpet Intro, Cadillac Hotel, Representing The Mambo, The Ingenue, Changin` Luck, Oh Atlanta, Dixie Chicken, Let It Roll Encore: Willin`, Feats Don`t Fail Me Now
Comments: *Acoustic / **Electric // Show was recorded for CD album „Live From Neon Park“
Bill Payne wrote on Facebook (6/18/2026): On the night of December 12, 1995, Will Jennings roared into the mic as he introduced us, “YOU CALL THIS WIND?!! A windstorm had hit Portland with gusts up to 90 mph. But it didn’t stop the raucous crowd from entering the Roseland Theater to witness two nights of high trajectory antics from Little Feat. In looking at the liner notes that Paul Barrère wrote, I’m struck by a couple of things. First, the enormity of the enterprise that begat this recording—there were three cities, Portland, San Francisco, and Los Angeles over multiple nights in two of the three, and second, the all-star crew that is filled with names that are legendary in Feat lore Where to start? Okay, Mark Hughes our front of house, Pete Kudas on monitors, Jerry “Point Five” Manuel, to name a few. Oh, and one more…Mike “Coach” Sexton. Coach now works with the Rolling Stones. We were surrounded by pros. The guests included The Texicali Horns with Darrell Leonard, Joe Sublett and David Woodford. Inara George joined us on “Sailin’ Shoes” and “Dixie Chicken;” Craig Fuller made an appearance, as did Miles Tackett and our good friend Joel Tepp. The arrangement on “Dixie Chicken” is something out of a Marx Brothers movie—whacky and fun. The songs performed are across the board amazing in terms of the scope of music we are unafraid to tackle: “Cadillac Hotel,” “Changin’ Luck,” “Representing the Mambo,” and “Taking Up Another Man’s Place” are mixed in with the rockers and well-known parts of our repertoire. The second day, I believe, the bus was parked in the back, and I went over to Powell’s Books. Upon my return, the gate was locked and I had left my pass and cell phone on the bus. I entered the theater and told the attendant who I was, but she asked for my ticket. Fans began to clamor around me and were telling the person, “That’s Bill Payne, he’s in the band!” I looked over to a wall filled with photos of groups that had played there and I saw my photo. I pointed at it and said, “That’s me!” She said, “Well so it is! Come on in!” Smiles everywhere. Live From Neon Park was released on June 18, 1996. Yes, 30 years ago! It could have been released last week.

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